Red Elvises
Surfing In Siberia
Folk n' Roll records
by Brian Parrish
From
out of the gulag and into your CD player come the Red Elvises,
a rockabilly-surf band with an upbeat, danceable sound.
On April 13, the band played San Antonio's DMZ Clubhouse
with native bands Soda Pop Spys and The Drones.
The show was the band's return performance to the DMZ
after just playing there a few days prior. The Red Elvises
are on tour supporting the group's new release Surfing
In Siberia, one the best rock n' roll records to come
out so far in 1997. Each band member is highly skilled
in a not only the instruments they play, but in their knowledge
of music. The effect is perfect surfabilly pop.
What better song to start off a surf album than with the
classic "Misirlou", coyly re-titled as "Surfing
In Siberia". Led by guitarist Zhenya Kolykhanov, the
album blends traditional central European sounds with the
American influence of surf guitar and touch of funk. In "Don't
Stop the Dance"Kolykhanov's guitar is smooth and polished.
Singer Igor Yuzov's melancholy vocals add to the band's
skilled balladry. In "Siberia", Yuzov croons
out lyrics about the subarctic wasteland: "Take me
to the land of cosmonauts/where the women do vodka shots...".
The Red Elvises take the surf guitar style of classic bands
like The Astronauts and The Lively Ones and skew the sad
rhythm of "Siberia" with a touch of humor. This
is the band's trademark-mixing humor, the awkwardness of
a new language, and good music.
The band finishes the album with covers of Chuck Berry's "Rock
n' Roll Music" and "Ukrainian Dance #13. The
group's East-meets-West combination of music works without
sounding absurd.
The Red Evises currently reside in Los Angeles; perhaps
this is how the band picked up a "surfier" sound
compared to their '96 debut Groovin' to the Moscow Beat
which is more rockabilly oriented. In the band's live show,
the Red Elvises fuse their rockabilly and surf flawlessly.
Besides, just watching bassist Oleg Bernov play the bass-balalaika
is well worth the price of admission. |